Incredibly laid back. Perfect music for those shitty finals.
Also, the drummer is crazy awesome.
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This band shares members with Off Minor. Saying that, you must realize that this is very, very, very different from anything Off Minor, or Saetia from that matter has ever done. Regardless, it's still great music.











Fucking awesome screamo from Sioux Falls, SD. All thanks go to Ryan (guitar) for uploading this album to the internet, for without him, this would be impossible to find. This album has a lower quality and doesn't flow as well as Ere' January Be Unwintered, but it still rules.
This is something fucking special. Late 90s emotive hardcore/screamo. Guitar work and drumming is incredibly and the spoken word vocals contrast incredibly well with the screams. Lyrics are amazing as well.
I really can't stand shoegaze, but fuck, these guys did it right. I can go on and on about how much I love this album and how much it rules, but I'll sum it up all in one track:
Kidcrash are quite possibly the best band to ever come out of the genre of emo/screamo/whinyfaggotbullshit. Next to City of Caterpillar and Damezumari, they're one of the best ever. Here is everything that they've released so far, in order from favorite to least favorite.
mudy on the sakuban are from japan. they have 3 guitarists, and are groovy (groovy) as fuck. no really, they groove.
Muga are from Japan, pissed, and give none fucks.
Four Hundred Years were a pretty awesome, and underrated, band from the 90s. This is my favorite release by them. It sounds like a pretty mellow screamo/post-hardcore/punk combination, and you can definitely hear a Fugazi influence.
It's some fucked up combination of black and death metal. It sounds like the music they would play in your worst nightmare.
If anyone tells you *Shels sucks, do not respect their right to live and breathe, kill them immediately. Same goes for yourself if you in fact don't like *Shels. A beautiful blend of post-rock and metalcore.
I can't say I've been enthralled to even bother listen to a post-rock album in a long time. Most of it is just the same shit of build-up (usually with lots of delay), climax, decrescendo: repeat. This album really has a different feel to it. Some of the songs are much longer, lighter, instrumental, and give off a nice refreshing post-rock vibe. The vocals are more jagged then typical post-rock vocals.
Two really fuck awesome math rock bands get together and make a split lp that takes the biggest shit on any other split lp. ever.
When I first heard their cd Capital Cities, I wasn't really that impressed with DST. But someone lit a fire under this bands ass, because Certain Stuff rules.
